Wednesday, December 08, 2021

Amid threats, Afghanistan’s first female orchestra Zohra ready to perform at WEF in Davos

Zohra, an ensemble of 35 young musicians aged 13 to 20, some orphans or from poor families, will be performing at World Economic Forum in Davos.

By: AFP | Kabul |
January 18, 2017 2:18:44 pm
wef, world economic forum, afghanistan female band, afghanistan orchestra, female orchestra, afghanistan female orchestra, zohra, afghanistan women orchestra, wef orchestra performance, world news Afghanistan’s first female orchestra will be performing at the World Economic Forum in Davos. (Source: AP Photo)

In the face of death threats and accusations they are dishonouring their families by daring to perform, the women of Afghanistan’s first all-female orchestra are charting a new destiny for themselves through music. The group is set to be catapulted onto the world stage with a performance at the World Economic Forum in Davos.

Zohra, an ensemble of 35 young musicians aged 13 to 20, some orphans or from poor families, will be performing before 3,000 CEOs and heads of state during a session on Thursday and at the closing concert on Friday. Led by Negina Khpalwak, who will be celebrating her 20th birthday on the return flight from Europe, the girls have overcome death threats and discrimination in Afghanistan’s deeply conservative war-torn country to play together.

With their hair hastily knotted, eyes focused on their instruments, the musicians performed in unison under Khpalwak’s baton earlier this month at one of their last rehearsals in Kabul before the concert. “She is Afghanistan’s first female conductor,” Dr Ahmad Sarmast, the musicologist who founded Afghanistan’s National Institute of Music (Anim) and the Zohra orchestra, said proudly of Khpalwak.


Sarmast understands the risk facing women in Afghanistan who pursue music — which was banned during the Taliban’s repressive 1996-2001 rule and is still frowned upon in the tightly gender-segregated conservative society. Zohra, he says, is “very symbolic” for Afghanistan. “It’s so hard for Afghan girls. Some fathers do not even let their daughters go to school, not to speak about music school,” Negina said. “For them, women are to stay at home and clean up.”

Her parents, she said, stood against her entire family to allow her to attend music lessons. “My grandmother told my dad: ‘If you let Negina leave to music school, you won’t be my son anymore.'” Since then, her family has left their native Kunar province in eastern Afghanistan, and moved to Kabul.

Life is hard in the capital city, jobs are scarce, but “it is better than being dead”, Negina said, recalling what her uncle promised her: “Wherever I see you, I’ll kill you. You are a shame for us.” Negina’s goal is to win a scholarship “to study outside of the country, and study, and study”. Then, she says, she will return to her country and and become the conductor of the National Orchestra. Fifteen years after the end of Taliban regime, gender parity remains a distant dream in Afghanistan despite claims of progress.

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